Benemal wrote:I thought about opening a new topic concerning obscure records, but i'll write it here. Azoth mentioned, that he likes 70's stuff. As do i. Also 60's, 80's, 90's etc. So i will enlighten those interested in great (or curious) music. It is a sort of specialty, because i am a music freak. Those of you who are too, will already know the stuff below. And yes, there is a "Luciferian influence".
Coven "Witchcraft destroys minds and reaps souls" (1969)
Bruce Haack "The Electric Lucifer" (1969)
Comus "First utterance" (1971)
German oak s/t (1972)
Amon Duul II "Phallus dei" (1969)
Igor Wakhevitch "Hathor" (1973)
Armon kuilu s/t (2008)
Halo Manash "Par-Antra I:VIR (2004) & r.A.S.H.n.k.-RA (2007)
Zoät-Aon "Star autopsy" (2005) & "The triples bestial" (2006)
Troum, Asianova / Voice of eye, S.Q.E., Ure Thrall "Actualization / Excrement of old dreams" (2009)
That's for a start. I'm serious. Get these records and open your ears.
First Utterance by Comus is an incredible album. It's powerful enough anyway, but is cemented as even more so for me because of an experience I had while listening to it.
Whenever I go out walking I like to take suitably atmospheric music with me on the iPod. One day, while attempting to cross what looked to be a fairly shallow, light flowing river, I found myself up to my chest in rather heavy flowing water. Appearances can be deceptive, folks. Soon I was hopping my way downriver, barefooted, boots around my neck and iPod held aloft, trying not to get washed completely away into watery oblivion.
The soundtrack to this exhilarating but completely foolish experience, was 'First Utterance', the song 'Diana', more specifically. And I can't hear or even think about this record now without remembering that near-drowning experience.
I've always found it fascinating how music seals itself very closely to memories, experiences and nostalgia, and that a certain piece of music at a certain time brings certain experiences very closely to mind.
Anyway, apologies for the complete diversion from the subject, but Benemal's post got me remembering.
I find it difficult to say specifically what music outside of the obvious realms of metal have a Luciferian influence - not because I can't think of any, but because a lot of the rebellious music of the fifties and sixties like Elvis, Screamin' Jay Hawkins, the Beatles, the Kinks, Cream and the Who, rising from the Blues can probably count. The most obvious of those type of bands would probably be the Rolling Stones, who are the first to express such a thing overtly (though Aleister Crowley makes an appearance on the Beatles Sgt Pepper album cover), until bands like Black Sabbath, Black Widow and the above-mentioned
Coven take that further.
You could also argue that the psychedelia movement, with its emphasis on entheogenic experiences has a Luciferian aspect,too, if you define 'Luciferian' loosely rather than explicitly. That's the problem, I think - if 'Luciferian' can mean 'Promethean' or 'inspired by the muses' in general, the list can become very large. If you narrow it down to a specific darkness, danger and rebellion however, that can narrow it down a bit.
Sometimes, like in metal, its the aesthetic texture rather than attitude which is Luciferian. Like the Tritone or 'Diabolus in Musica' created by the diminished fifth as found in 'Mars Bringer of War', 'Black Sabbath' and every black metal album ever.
In classical music, have a listen to Penderecki, and you'll hear something astonishingly dark and incredible in its aesthetic texture. You couldn't really call him Satanic or Luciferian, but he captures the darkness of events like Hiroshima and the Holocaust through extreme dissonance in an incredibly strong way. However, his Orthodox liturgical music is completely beautiful and sublime with just a shadow of darkness creeping in through the bass notes.
Penderecki - Threnody for the Victims of Hiroshima
Penderecki - Song of the Cherubim
Some interesting visual artists with some apparent Luciferian influences are
Franz Von Stuck
B A Vierling
Kris Kuksi